1972 / LA CENERENTOLA / Rossini

LA CENERENTOLA – ROSSINI


Presented on Apr 3, 5, 7 at the Gaiety Theatre Dublin as part of the Dublin Grand Opera Society’s Spring Season


Giuseppina Dalle Molle – Angelina
Ugo Benelli – Ramiro
Angelo Romero – Dandini
Sergio Pezzetti – Magnifico
Terry Reid – Clorinda
Ruth Maher – Tisbe
Alberto Carusi – Alidoro


Napoleone Annovazzi – Conductor
Philippe Perrottet – Producer


Listen to this production here:
Tisbe (Ruth Maher), Clorinda (Terry Reid), Don Magnifico (Sergio Pezzetti), Angelina (Giuseppina Dalle Molle), Ramiro (Ugo Benelli) and Dandini (Angelo Romero) in “La Cenerentola” as presented at the Gaiety Theatre Dublin in April 1972
Angelo Romero in costume as Dandini in “La Cenerentola” as presented at the Gaiety Theatre Dublin in April 1972
Don Magnifico (Sergio Pezzetti) in “La Cenerentola” as presented at the Gaiety Theatre Dublin in April 1972
Tisbe (Ruth Maher), Don Magnifico (Sergio Pezzetti) and Clorinda (Terry Reid) in “La Cenerentola” as presented at the Gaiety Theatre Dublin in April 1972
Dandini (Angelo Romero) poses with with Chorister Monica Condron on the set of “La Cenerentola” as presented at the Gaiety Theatre Dublin in April 1972

It had been a sparkling spring season with Ugo Benelli proving a good judge of Irish operatic taste. He had, he told me later, suggested Rossini’s “La Cenerentola” to Colonel Bill O’Kelly, saying he would be free to sing the role of Don Ramiro. ‘I had sung it many times in Continental houses and it appeared to me that audiences liked the opera very much. You can imagine my pleasure when Colonel O’Kelly said the society would do it for the first time!’ Besides the popular lyric tenor, the cast also included the talented Angelo Romero, who made a believable character out of Dandini, Ramiro’s valet, and sang Rossini’s music most stylishly. Aileen Walsh recalls mezzo-soprano Giuseppina Dalle Molle’s fine performance as Angelina (known as Cinderella) and how beautifully she sang in the final scene of the opera. Paddy Brennan regarded the cast as excellent with Benelli showing how good a Rossini singer he could be. But Angelo Romero, he said, handled the most difficult music in the opera in commendable fashion. Ruth Maher and Terry Reid, as the Baron’s daughters, fitted easily into Philippe Perrottet’s production. ‘I enjoyed the whole thing immensely,’ Ms Maher told me later. ‘And what a cast we had!’

(Extracted from “Love and Music: The Glorious History of the Dublin Grand Opera Society” by Gus Smith, 1998)