1970 / LA BOHEME / Puccini

LA BOHÈME – PUCCINI


Presented on Mar 30, Apr 1, 3 at the Gaiety Theatre Dublin as part of the Dublin Grand Opera Society’s Spring Season


Maria Angela Rosati – Mimi
Flaviano Labò – Rodolfo
Ann Moran – Musetta
Mario d’Anna – Marcello
Helge Bömches – Colline
Maurizio Piacenti – Schaunard
Alberto Carusi – Benoit / Alcindoro


Napoleone Annovazzi – Conductor
Sanzio Levratti – Producer


Listen to this production here:
Marcello (Mario d’Anna), chorister Kitty Vaughan, Mimi (Maria Angela Rosati) and Rodolfo (Flaviano Labò) during the second act of “La Boheme” at the Gaiety Theatre Dublin in March 1970
Marcello (Mario d’Anna), Musetta (Ann Moran) and Schaunard (Maurizio Piacenti) during the second act of “La Boheme” at the Gaiety Theatre Dublin in March 1970
Marcello (Mario d’Anna), Musetta (Ann Moran) and Schaunard (Maurizio Piacenti) during the second act of “La Boheme” at the Gaiety Theatre Dublin in March 1970
Rodolfo (Flaviano Labò) and Mimi (Maria Angela Rosati) during “La Boheme” at the Gaiety Theatre Dublin in March 1970
Joe Kearns (Manager of the Gaiety Theatre) shares a glass with Flaviano Labò (Rodolfo), Donnie Potter, Napoleone Annovazzi (Conductor) Maria Angela Rosati (Mimi) and Bill O’Kelly during “La Boheme” at the Gaiety Theatre Dublin in March 1970
Rodolfo (Flaviano Labò), chorister Maura Devine and Marcello (Mario d’Anna) backstage during “La Boheme” at the Gaiety Theatre Dublin in March 1970

“Boheme” was a magical evening in the theatre and the memory has stayed with me long after I’ve long forgotten others. Puccini might have tailored the role of Rodolfo for Labo. The voice was smooth, expressive and notable for its musical sensitivity. There was spontaneous applause as he ended his first big aria, ‘Che Gelida Manina’ and this was followed by more rapturous applause after he and soprano Maria Angela Rosati had sung the love duet at the end of the act. From there on Labo could do no wrong. His Rodolfo remains the best I have ever heard. At the final curtain he was accorded the kind of reception once reserved for Silveri, Stignani, Mancini, Borso and Cappuccilli. Irish soprano Ann Moran sang an impressive Musetta, displaying a secure and sweet-toned soprano and natural acting ability, while Mario d’Anna looked a youthful Marcello. Helge Bomches made a totally credible Colline. This is a “Boheme” vividly remembered by choristers like Paddy Brennan – a great admirer of Labo’s voice – John Carney and Barry Hodkinson.

(Extracted from “Love and Music: The Glorious History of the Dublin Grand Opera Society” by Gus Smith, 1998)